Speakers & Talk moderators

Darcy Alexandra is assistant researcher and lecturer at the Institute for Social Anthropology, University of Bern where she specializes in co-creative ethnographic practices and audiovisual anthropology. She holds a PhD from the Centre for Transcultural Research and Media Practice, Dublin Institute of Technology, Ireland. She is the first-place recipient of the 2018 Ethnographic Poetry Prize awarded by the American Anthropological Association. Since 2007, Dr. Alexandra has designed and facilitated participatory media research centering audiovisual production as a means of engaged scholarship. She has conducted audiovisual research in the US-Mexico borderlands, El Salvador, Uruguay, Cuba and Ireland, and taught digital storytelling in collaboration with university, non-governmental and governmental agencies including the Dublin City Council, the Forum on Migration and Communications, and the Swiss Agency for Development and Cooperation (DEZA/EDA). 

www.darcyalexandra.com

Shortlist of publications

Schliessen

From 2015–2018 I conducted my doctoral research at the headquarter of the world’s biggest automotive manufacturer in Germany, in order to inquire how design practices and the role of designers are challenged or reframed inside one large organization. 
Being employed as a Ph.D. Candidate in industry in general, and within the investigated organization in particular, creates a special situation of sitting at the fence between academia and industry. Concerning both, the different interests and involvements of many stakeholders, the challenge of taking a double role as a researcher and colleague at the same time, keeping a scientific distance as well as dealing with ethical and organizational constraints need to be acknowledged while conducting research in this setup. Within my talk, I will discuss potential avenues, tendencies, and challenges of an industry-based Ph.D. 

Originally trained as a graphic & process designer, Andrea has been active in the development of human-centered future visions for business, social design and design education for more than ten years. In 2015, she was appointed to the Think Tank 30 of the Club of Rome. Alongside her position as a Ph.D. Candidate within the Digitalization Team at Volkswagen Group (2015-2018), she enjoys sharing her professional work experience through lecturing at various universities, in 2018 she holds an international teaching position at the Beijing Normal University Zhuhai, China on a part time basis.

www.andreaaugsten.de
Xing
LinkedIn

Shortlist of publications

Book chapters | Bontributions
Augsten, A. & Gekeler, M. (forthcoming), “What attitudes are needed for a collaborative design approach in the new paradigm of the 21-st century design education?” (Für ein neues Paradigma in der Designlehre des 21. Jahrhundert: Welche Haltungen braucht kollaboratives Design?, In: J. Park (Ed.), Design & Bildung - Schriften zur Designpädagogik, Band 2, München: Kopaed Verlag, (forthcoming). Both authors contributed equally in terms of conceptualization and draft writing.
Augsten, A. & Gekeler, M. (2018) “From a master of crafts to a facilitator of innovation. How the increasing importance of creative collaboration requires new ways of teaching design“ (Vom Handwerksmeister zum Facilitator für Innovation. Warum die wachsende Bedeutung kreativer Kollaboration neue Konzepte für die Designlehre fordert), In: Bauer, B., Hensel, D. (Eds.): Designlernen – Werkstattbericht Edulab 01. München: Kopaed Verlag, pp. 53–61. Both authors contributed equally in terms of conceptualization and draft writing.

Peukert, D. & Augsten, A. (2018) “Reflecting on the roles and skill set of designers and design researchers”, In: Swiss Design Network (Eds.) Unfrozen – a design research reader by the Swiss Design Network. Zurich: Triest Verlag. pp. 143-150. Both authors contributed equally regarding conceptualization and draft writing. Peukert edited the final version.

Peer-reviewed conference and journal papers
Augsten, A., Geuy, B., Hollowgrass, R., Jylkäs, T., Makela Klippi, M. (2018) Humanizing organizations - the pathway to growth, In: A. Meroni, A. Medina, B. Villari (Eds.) Proceedings of the ServDes.2018 Conference, Linköping University Electronic Press Linköping, Sweden, 1229 – 1142. All authors contributed equally in terms of data gathering and analysis, myself played a more prominent role in the workshop concept development and the writing.

Marzavan, D., & Augsten, A. (July 2017) Implementing digital innovation through Design Thinking in the German Automotive Industry: the interplay between headquarters and innovation labs. In: Proceedings (unpublished conference paper) 33rd EGOS Colloquium: The Good Organization: Using Design in, around and for good organizations, Copenhagen. Both authors contributed equally in terms of conceptualization and draft writing; myself played a more prominent role in conceptualizing.

Augsten, A., & Marzavan, D. (June 2017). Achieving sustainable innovation for organizations through the practice of Design Thinking. A case study in the German automotive industry. In Proceedings (unpublished conference paper) 28th ISPIM Innovation Management, Vienna. (note: The publication is available to ISPIM members at www.ispim.org.) Both authors contributed equally in terms of data analysis and draft writing, myself played a more prominent role in theory and conceptualizing.

Augsten, A., & Gekeler, M. (2017) From a master of crafts to a facilitator of innovation. How the increasing importance of creative collaboration requires new ways of teaching design. In: The Design Journal, 20:sup1, 1058-S1071, DOI: 10.1080/14606925.2017.1353049 Both authors contributed equally to concept and draft writing, myself played a more prominent role in the theoretical framework.

Schliessen

Shortlist of publications
Peer-reviewed books/monographs
M. Botta, D. Fornari et al, Unfrozen – a Design Research Reader by the Swiss Design Network. Zurich. Swiss Design Network. Triest Verlag für Architektur, Design und Typografie, 2018.

M. Botta, M. Wiedmer (ed.): Disruptive Interaction, Lugano: Swiss Design Network / Edizioni Casagrande, 2015.

Peer-reviewed conference proceedings
F. Cellina, D. Bucher, M. Raubal, R. Rudel, V. De Luca and M. Botta, GoEco! – A Set of Smartphone Apps Supporting the Transition Towards Sustainable Mobility Patterns. In: Change-IT Technology-supported Sustainable Behaviour Change, Amsterdam, The Netherlands, 29.08.2016. (In Press)

F. Cellina, R. Rudel, V. De Luca, A. Rizzoli, M. Botta, M. Raubal, D. Bucher and P. Weiser, Eco-feedback and gamification elements for sustainability: the GoEco! living lab experiment. In: Transportation Research Procedia 6th European Transport Research Conference, Warsaw, Poland, 18.04.2016-21.04.2016.

S. Cangiano, D. Fornari and M. Botta, The integration of open source design and fablab [practices] into Interaction Design. In: Fab 9 Research Stream proceedings, The International Fab Lab Association, Yokohama aug. 2013.

N. Catenazzi, V. De Luca, L. Sommaruga and M. Botta, Guidelines to Design Inclusive Ambient Intelligence Solutions for Human Activity Sharing. In: Proceedings of IIHCI 2012 - 5th International Workshop on Intelligent Interfaces for Human-Computer Interaction, Palermo, 4-6 July 2012.

M. Botta, N. Catenazzi, L. Sommaruga, S. Cangiano, V. De Luca, D. Fornari, N. Rizzo, Human Centered Design framework to generate novel Ambient Intelligence interface solutions. In: C. Cautela et al. (ed.), Proceedings of Designing Pleasurable Product Interfaces DPPI 11, ACM, Poliscript, Milan 2011, pp. 561-562.

Contributions to books
M. Botta, G. Profeta, Towards the Information Visualization of Connected Objects. In L.Guerini (ed.), Notes on Doctoral Research. Franco Angeli, 2018 (in press).
M. Botta, M. Wiedmer, Foreword. In: Disruptive Interactions, Lugano: Swiss Design Network / Edizioni Casagrande, 2015, p. 5.

Articles
M .Botta, Il design, vettore d’innovazione. In: Ticino management, Annno XXIX n. 8-9, Ago./Set. 2018, pp. 58-61.
M .Botta, Dare forma all’innovazione. In: Ticino management, Annno XXIX n. 1-2, Gen./Feb. 2017, p. 102.
M. Botta and S. Cangiano, Open Design. Design, prototype, document, share. In: Ottagono, n. 266, 12/2013 – 01/2014, pp. 80- 89.

Schliessen

As an Institute of National Importance (2014), NID’s vision is tethered to the fact that higher education in design will have greater responsibilities to meet the needs of society both in India and abroad. It must be prepared to accept this challenge so that it can continue to lead advances in educational and technological innovation, creative expression and design led problem solving. At the same time NID anchors itself to cultural strengths of India and fosters strategic design linkages of innovation and entrepreneurship with the various sectors of industry. NID has to identify opportunities for newer linkages across institutional, national and cultural boundaries in order to create newer opportunities for the development of people and industry.

NID seeks to become an institute that will play a critical role in improving the design scenario or design education in India. Considering the Institute’s past contributions at a national level, and the work it is engaged in at present across different sectors, NID’s doctoral level programme is a logical next and higher step to meet those objectives. The PhD programme is open to educators and professionals in design who wish to reinvent their own practice or knowledge base while pushing the boundaries of the discipline through innovation in practice and create new design theories. The paper will create a case for practice-based PhD.

Dr. Shilpa Das heads the three departments of PhD programme, Inter-Disciplinary Design Studies and Science and Liberal Arts Studies at the National Institute of Design, India. She has cumulative work experience of 25 years in the education, publishing, and voluntary sectors. Shilpa has been the Founding Editor of The Trellis, a research-based publication and a magazine called D/signed. She is also the editor, author and creative visualizer of the book 50 Years of the National Institute of Design: 1961-2011 (2013) and co-editor of the book, Indian Crafts in a Globalising World (2017).  She is on the Board of Advisors to the Bill and Melinda Gates Foundation, Seattle, USA and a Governing Council member on the Mo School Project, Government of Odisha, India. 

www.nid.edu/people/faculty/shilpa-das.html

Publications and further information

Schliessen

Volker Eichelmann is an artist and Associate Professor at Kingston University where he is Director for Postgraduate Research for the School of Art & Architecture. In 2017 his solo exhibition On Peacock Island took place at Focal Point Gallery, Southend-on-Sea where he also realised his year-long commission Column for Unit-Twenty-One. Eichelmann’s book Gutters of Gold (Black Dog Publishing, 2017) features work produced within the last ten years alongside a selection of drawings by Stephen Tennant (1906-1987). 

Eichelmann has held solo/two-person exhibitions at Sargent's Daughters, New York (2015), Choi & Lager, Cologne (2015), Ancient & Modern, London (2014), England & Co, London (2014), Galerie Andreas Huber, Vienna (2013) and Jessica Silverman Gallery, San Francisco (2011). He curated Silver Mirrors, Silver Wood for Ancient & Modern at the Frieze Art Fair in 2014 and Weekend in Valmouth at Ancient & Modern in 2011. 

Over the last 20 years Eichelmann’s solo and collaborative work has been exhibited in public institutions such as Kunstverein Hamburg, Bluecoat Gallery, Liverpool, Frankfurter Kunstverein, Cubitt, London, Galerie für Zeitgenössische Kunst Leipzig, Kunstverein Wolfsburg, The Showroom, London and touring exhibitions Electric Earth (British Council) and 40yearsvideoart.de (ZKM / Goethe Institute). 

In 2015 Eichelmann instigated the research group We Are Publication whose speculative publishing projects include the radio broadcast Diagram of an Hour (Resonance FM, London, 2016 / Curved Pressing, 2017) and Notes on a Carpet (Five Years / Black Tower Projects, London, 2018 / Pratt Institute, New York, 2019).

Schliessen

Shortlist publications
Books

Sormani, Philippe, Carbone, Guelfo, Gisler, Priska (Eds.) (2018), Practicing Art/Science. Experiments In An Emerging Field. Routledge, London and New York.

Gisler, Priska, Steinert-Borella Sara, Wiedmer, Caroline (Eds.) (2013), Intersections of Law and Culture. Palgrave Macmillan, Basingtoke.

Dombois, Florian, Gisler, Priska, Schwander, Markus, Kretschmann, Schirin (2013), Präparat Bergsturz II. Edizioni Periferia – Luzern/Poschiavo.

Ammann, Katharina, Gisler, Priska (Hg.), (2012), Präparat Bergsturz I. Edizioni Periferia – Luzern/Poschiavo.

Articles
Gisler, Priska (2018), Gezeigte Natur. Bericht über eine künstlerische und sozialwissenschaftliche Ethnografie im Zoo. In: Holfelder, Ute et al. (Hg.), Kunst und Ethnografie – zwischen Kooperation und Ko-Produktion? Anziehung – Abstossung – Verwicklung: Epistemische und methodologische Perspektiven. Chronos, Zürich.

Gisler, Priska, Shehu, Drilona (2017), Performative Kapazität der künstlerischen Autonomie. Ethnographische Beobachtungen im Hochschulkontext. In : Uta Karstein Nina Tessa Zahner (Hg.), Autonomie der Kunst ? Zur Aktualität eines gesellschaftlichen Leitbildes. Springer VS, Reihe «Kunst und Gesellschaft», Wiesbaden, S. 351-372.

Gisler, Priska, Martini, Federica (2017), PhD-making Is My Art Practice. Notes And Insights In the Art Phd-Experience In Switzerland, SARN, Basel, ISBN 978-3-9524411-5-2.

Gisler, Priska, Shehu, Drilona (2015), Werden was man ist. Künstlerische Autonomie nach der Bologna Reform.What’s next? Art Education, Torsten Mayer, Gila Kolb (Hg.).

Gisler, Priska, Kurath, Monika (2015), Architecture, design et arts visuels : les transformations des disciplines après la Réforme de Bologne. In: Adriana Gorga et Jean-Philipe Leresche, Transformations des disciplines académiques : entre innovation et résistance, éditions des archives contemporaines, Paris.

Schliessen

This keynote will take a comparative look at how doing one's doctorate in design is taking place all over Germany—based on my expertise as a participant of Design Promoviert since 2009, having assumed the role of its co-organiser in 2014 and being a doctoral candidate myself since 2012. If we take Frayling as the applicable basis with his differentiation from 1993 concerning research into, about and for design, we can state that the SwissGradNetwork, when intending to base its PhD model on the concept of “use-inspired basic research”, does apply to Frayling's idea of research for design. But far be it from me to stimulate a discussion on that. My presentation aims at giving the audience an overview of the plethora of research approaches that have been presented in the course of our colloquia and the research models they encompass. It will also try to point out the main differences between different models of doing one's doctorate based on individual promotion regulations resulting from the sovereignty of the German states.

since 2018 Lecturer at Macromedia University of Applied Sciences
since 2017 Research Fellow at Hans-Böckler-Stiftung
1998–2016 Freelance Designer for SYBORG Informationssysteme
since 2012 Doctoral Candidate, HBK Saar
since 1999 Lecturer at vhs Stuttgart
working as a freelance designer and lecturer since 1996
1996–1998 Art Studies, HBK Saar
1994 Diploma in Product Design, HBK Saar
1989–1994 Design Studies, HBK Saar

LinkedIn
www.markus-koeck.de

Shortlist Publications
M. K. (2016, January 28). Last Exit to Makerville. Retrieved September 11, 2018,
from designcritics.org/last-exit-to-makerville

Schliessen

Lucie Kolb studied art, new media and art theory at the Zurich University of the Arts and the Academy of Fine Arts Vienna. Since 2015, she is co-editor of the magazine Brand-New-Life. Lucie publishes on institutional studies, art writing, self-publishing in magazines and books. Recently Paratexte (with B. Preisig, J. Welter) Diaphanes 2018, Studium, nicht Kritik, transversal texts 2017, Art Handling (with Ch. Lang, W. Ullrich, J. Welter), JRP|Ringier 2016. Member of the art commission of Kultur Stadt Bern.

www.ixdm.ch/team/lucie-kolb

Schliessen

Sebastian Matthias, born 1980, works as a choreographer internationally with freelance production houses such as Sophiensäle Berlin, Tanzhaus NRW or Kampnagel Hamburg and with institutions like Festival Tokyo (2016), Theater Luzern/Luzern Festival (2017), or Corpus/Royal Danish Ballet (2018). As a dance scholar he received his PhD at HafenCity University Hamburg 2016 and developed his artistic scientific practice at the research school »Versammlung und Teilhabe« (Assembly and Participation) as an associated artist with K3 | Center for Choreography.

Shortlist publications

Academic
2014: groove relations – Bewegungsqualitäten als Ordnungsstruktur partizipativer Versammlungen in Clubtanz und zeitgenössischer Choreographie, in: Regula Valérie Burri/ Kerstin Evert/ Sibylle Peters/ Esther Pilkington/ Gesa Ziemer (Hg.): Versammlung und Teilhabe. Urbane Öffentlichkeiten und performative Künste, Bielefeld: transcript, S. 51-73.
2015: groove feeling – somatischer Sound und partizipative Performance, in: Wolf-Dieter Ernst/Anno Mungen/Nora Niethammer/Berenika Szymanski (Ed.), Sound und Performance, Würzburg: Königshausen & Neumann, S. 591-607.
2017: Dance encounters: performing arts as an experimental platform of urban publics, in: Martha Radice/Alexandrine Boudreault-Fournier (Ed.): Urban Encounters: Art and the Public, Montréal: McGill-Queen's University Press, S.74-100.
And the dance goes on... –Groovefelder und plurale Kommunikation, in: Gabriele Brandstetter/Kai van Eikels/Anne Schuh (Ed.), De/synchronisieren?: Leben im Plural, Wehrhan 2017.   
2018: Gefühlter Groove: Kollektivität zwischen Dancefloor und Bühne, Bielefeld: transcript.

Artistic (Choreographies and installations)
2018: ghosting, Corpus/The Royal Danish Ballet Copenhagen. (im Erscheinen)
Yuropa, Bremen: Steptext/Africtions in Koproduktion mit SOPHIENSÆLE Berlin.
2017: Marienvesper, Luzern: Luzerner Theater in Koproduktion mit dem Luzern Festival.
2016: people looking at people looking at people, Berlin: Sebastian Matthias in Koproduktion mit SOPHIENSÆLE Berlin, Kampnagel Hamburg, Tanzhaus NRW Düsseldorf, Gessnerallee Zürich.
x / groove space, Düsseldorf: Sebastian Matthias in Koproduktion mit dem Tanzhaus NRW Düsseldorf, Tanz im August Berlin, SOPHIENSÆLE Berlin, Festival Tokyo.
2015: volution/ groove space, im Rahmen der Deutschen Saison, Jakarta: Goethe Institut Jakarta in Koproduktion mit Komunitas Salihara.
intergalactic underwater palace, Umea/Norsborg: Barn och Unga/ Riksteatern Schweden in Koproduktion mit dem Cullbergballetten.
chorus / groove space, Freiburg: Stadttheater Freiburg in Koproduktion mit Sebastian Matthias.
2014: maneuvers / groove space, Zürich: Sebastian Matthias in Koproduktion mit der Gessnerallee Zürich.
synekism / groove space, Berlin: Sebastian Matthias in Koproduktion mit Tanzhaus NRW Düsseldorf, Kaserne Basel, Theater Freiburg, Kampnagel Hamburg, SOPHIENSÆLE Berlin und dem CCN de Franche-Compté in Belfort.
2013: Danserye, Hamburg: Sebastian Matthias in Koproduktion mit den Sophiensälen Berlin, Kampnagel Hamburg, Gessnerallee Zürich, Theater Freiburg, Kaserne Basel, NDR  das neue Werk.
2012: wallen, Hamburg: Sebastian Matthias in Koproduktion mit Kampnagel Hamburg, Sophiensälen Berlin, Dampfzentrale Bern.
2011: Dezett, im Rahmen von Cage 99, Hamburg: Kampnagel Hamburg/NDR-das neue werk.
Nordische Weise, im Rahmen von Nordischer Klang, Greifswald: Theater Vorpommern.
2010: Tremor, Hamburg: K3 Zentrum für Choreographie Hamburg.
2009: installation de danse participative, im Rahmen von Champ de pixels, Montréal: Quartier des spectacles.
basssolo, im Rahmen von Cru d’automne, Montréal: LADMMI  in Koproduktion mit Pépinières européennes pour jeunes artistes, Mobility Program MAP 2008/09.
basssolo.3, im Rahmen von New Voices in Live performance, New York, NY: Center for Performance Research.

Schliessen

Hans-Joachim Neubauer, Dr. phil. habil., is a Berlin based author and journalist, playwright and dramaturg. He was head of Cultural Journalism Studies at University of the Arts, Berlin. He now works as a professor for Transmedia Narratives at Film University Babelsberg Konrad Wolf. His books have been translated into seven languages.

www.filmuniversitaet.de

Shortlist of publications
Books (selection)
As author
2009: Fama. Eine Geschichte des Gerüchts (extended and updated edition). Berlin: Matthes & Seitz Berlin.
Translations: English, Japanese, Corean, Chinese, Serbian, Finnish, Spanish
2005: Der Fluch der Urne. Polit-Thriller, Berlin: Karin Kramer
2001: Zeitenwechsel. Das Berliner Künstlerprogramm des DAAD, Berlin: b + s
2001: Einschluss. Bericht aus einem Gefängnis. Berlin: Berlin Verlag (Paperback Berlin 2003)
1998: Fama. Eine Geschichte des Gerüchts. Berlin: Berlin Verlag.
1994: Judenfiguren. Drama und Theater im frühen 19. Jahrhundert. Frankfurt/ Main, New York: Campus.

As editor
2018: Mein Leben für die Kinder. Gespräche mit Königin Silvia von Schweden, Göttingen: Steidl (with Ronald Grätz; in prep.).
2017: Autoren-Wetter. Das Literarische Tandem der Stiftung Brandenburger Tor. Sprache im technischen Zeitalter, special issue.
2017: Mit Kant am Ast der Dummheit sägen (new edition). Freiburg: Herder.
2016: Mein Leben für die Liebe. Gespräche mit Ernesto Cardenal, Göttingen: Steidl (with Ronald Grätz).
2016: Human Rights Watch: Struggling for a Humane World. Interviews, Göttingen: Steidl (with Ronald Grätz).
2016: Human Rights Watch: Einsatz für die Menschenrechte. Gespräche, Göttingen: Steidl (with Ronald Grätz).
2016: Mit Nietzsche die Langsamkeit entdecken (new edition). Freiburg: Herder.
2015: Im Grunde wie wir. Das Literarische Tandem der Stiftung Brandenburger Tor. Sprache im technischen Zeitalter, special issue.
2013: Mein Leben für Europa. Gespräche mit Jacques Delors, Göttingen: Steidl (with Ronald Grätz).
2011: Mein Leben für die Gerechtigkeit. Gespräche mit Carla Del Ponte, Göttingen: Steidl (with Ronald Grätz).
2011: Abschied zuerst. Das Literarische Tandem der Stiftung Brandenburger Tor. Sprache im technischen Zeitalter, special issue (with Monika Grütters).

Schliessen

Daniel is an artist from Los Angeles, living and working in London. Currently, he is undertaking a PhD at the Contemporary Art Research Centre at Kingston University. His work has recently been shown at Art Basel Hong Kong, Yvonne Lambert Gallery, Whitechapel Gallery, CCA Glasgow, Nottingham Contemporary, CFCCA Manchester, Kiasma Helsinki, and CGP London. 

www.dshanken.com

Schliessen

Dr. Susannah Thompson is an art historian, writer and critic and Head of Doctoral Studies at The Glasgow School of Art. Prior to this Susannah worked at Edinburgh College of Art (ECA), University of Edinburgh, as Director for Postgraduate Research, Co-Director of Visual Culture and Lecturer in Visual Culture. Susannah’s research has been widely published in journals including Visual Studies, Journal for Writing in Creative Practice and Journal of the Scottish Society for Art History. Her art criticism has been published in magazine including Art Review, The Burlington Magazine, MAP, ‘Even and Modern Painters.

www.gsa.ac.uk/research/cross-gsa-profiles/t/thompson,-susannah

Shortlist publications
Thompson, S. (2018). I Am For An Art (Writing). In K. Hilevaara & E. Orley (Eds.) The Creative Critic: Writing As/About Practice (pp. 1-5). Abingdon, Oxford: Routledge.

Thompson, S. (2018). The Dress of Thought: Form and Style in Contemporary Art Writing. Journal of Writing in Creative Practice, 10 (1), 101 - 121.

Thompson, S. (2017). The Mind's Miniatures: entangled maps, tactical drawing, dialectograms. In Crawshaw, J. Towards a City Observatory (pp. 51-57).  Edinburgh: Collective Gallery.

Thompson, S. (2016). Lotte Gertz. In Gertz, L. Lotte Gertz. Glasgow: Good Press.

Thompson, S. (2014). Art Criticism and the Glasgow Miracle. In McKee, F. The Glasgow Miracle:
Materials for Alternative Histories. Retrieved from www.glasgowmiraclearchives.org/project-outputs

Thompson, S. (2014) Brass Art: The Imagining of Things', ROTOR Review. Huddersfield: University of Huddersfield, 41-44.

Thompson, S. (2013). “But ye de de art, divvint ye?" Authenticity, identity and the historicisation of the Pitmen Painters'. In Holt, Y. & McClanahan, A. (Eds.), Visual Studies. 28. 3. Taylor and Francis / International Visual Sociology Association, 207-17.

Schliessen

Stefan Winter, philosopher and author, honorary professor for artistic research at Film University Babelsberg. PhD in 1991, habilitation in 2007; research and teaching at universities and art schools in Basel, Braunschweig, Berlin, Düsseldorf, Helsinki and Perugia; numerous publications on all epochs in the history of knowledge and on present-day questions across the disciplines.

“The red thread running through my spheres of work is my understanding of philosophy as a bridge connecting arts, sciences, humanities and technology development. While the self-conception of sciences and humanities is about to change significantly, the knowledge of the arts is appreciated in a new way. This shift implies the chance of a dialogue on eye level and fosters a stronger role of the arts within society.”

Shortlist publications
Last 5 years, selection

Winter, S. „Verwirbelung, Verzerrung, Auftrieb. Petricks Drift / Turbulence, Distortion, Buoyancy: Petrick's Drift“, in: Wolfgang Petrick - Stiftung Brandenburger Tor – Katalog. Köln: Verlag der Buchhandlung Walther König 2017, S. 12-30

Winter, S. & Heinz, R. „Intersermones“ (Revision der psychoanalytischen Paranoiatheorie - Spieltheorie und Paranoia - Medialisierter Tod, Apokalypse der Dinge - Katharsis, Vorlaufen in den Tod: True Detective - Traumarbeit und Bilderproduktion - Die simulierte Gemeinschaft), in: Rudolf Heinz, Pathognostische Interventionen IV. Essen: Blaue Eule 2017, S. 85-114

Winter, S., Fischer, G. & Koch, G. „Der andere Schauplatz der Gestaltung: Blochs Theaterkonzeption“, in: Ernst Bloch: Das Prinzip Hoffnung (Hrsg. Rainer E. Zimmermann). Berlin/New York: De Gruyter 2016, S. 151-174

Winter, S. & Heinz, R. „Todestrieb und Zeitstruktur. Ein Gespräch über Psychoanalyse, Kunst, Ökonomie“, in: Tumult. Vierteljahresschrift für Konsensstörung (Hg. Frank Böckelmann / Horst Ebner), Teil 1: No 1/2015, S. 80-84, Teil 2: No 2/2015, S. 79-84

Winter, S. „Aporien der Postmoderne“, in: Rudolf Heinz and friends (Hrsg. Heide Heinz / Christoph Weismüller), Düsseldorf: Peras 2014, S. 443-458

Winter, S. „Zeitspuren. Zur Idee der künstlerischen Forschung / Trace of Time. Thoughts on the Idea of Artistic Research / Tracce di tempo. Pensieri sull'idea della ricerca artistica“, in: MOZ No. 4 (Hg. Bruno Corà). Perugia 2013, S. 80-95

Winter, S. „Begegnungen mit dem Unbekannten – Forschung in den Wissenschaften, Künsten und Technologien“, in: Vorsicht Wagnis! (Hg. Hannes Böhringer / Susanne Märtens). Nürnberg: Verlag für moderne Kunst 2013, S. 131-139

Winter, S. & Pulfer, R. „Im Video arbeiten“ René Pulfer im Gespräch mit Stefan Winter, in: Verortung (Hg. Kirsten Langkilde). Basel: Christoph Merian 2013, S. 43-58

Winter, S. & Morger, P. „Doing Fashion - Exposition ins Unbekannte“ Priska Morger im Gespräch mit Stefan Winter, in: Verortung (Hrsg. Kirsten Langkilde), Basel: Christoph Merian 2013, S. 89-106

Winter, S. & Langkilde, K. „Orientierung - der Landschaftsgarten als Weltmodell und Projektionsraum / Orientation - the Landscape Garden as a World Model and a Space of Projection“, in: City by Landscape. The Landscape Architecture of Rainer Schmidt, (Hg. Thies Schröder), Berlin: Birkhäuser 2013, S. 33-52, 59-76

Schliessen

Demis Quadri obtained a double doctorate in Italian Language and Literature and Theatrical Studies at the Universities of Fribourg and Bern. From 2005 to 2009, he collaborated with the Institut für Theaterwissenschaft at the University of Bern on a research project on the topic of Commedia dell’Arte. He is a member of the Accademia Teatro Dimitri SUPSI’s Deanship, where he is Head of Research and in which he has been regularly teaching since 2009, offering a course dedicated to theatre theory and history.

Profile SUPSI
Profile Academia Teatro Dimitro

Shortlist publications
“DisAbility on Stage – Exploring the Physical in Dance and Performer Training” in collaboration with Yvonne Schmidt, Sarah Marinucci and Sara Bocchini (in course of publication)

“Uno sguardo sulla vita del teatro in Ticino”, in Anne Fournier, Andreas Härter and Beate Hochholdinger-Reiterer (ed.), Schweizer Theaterwelten – La Suisses, ses théâtres en scène – Universi teatrali svizzeri (MIMOS – Schweizer Theater-Jahrbuch), Berne, Peter Lang, 2018, pp. 147-154

“Esplorare lo spazio teatrale” in EP – Education Permanente (n. 1, 2018, pp. 13-14)

“Il paesaggio sonoro del teatro fisico” in Métis: História & Cultura (v. 16, n. 32, http://www.ucs.br/etc/revistas/index.php/metis/article/view/5782, 2017)

“DisAbility on Stage”, in Teatri delle diversità (nn. 73.75, dicembre 2016 – maggio 2017), pp. 40-42

“Mit Säcken und Stöcken. Analogien zwischen der Commedia dell’arte und den Entrées clownesques”, in Weihe, Richard (ed.), Über den Clown. Künstlerische und theoretische Perspektiven, Bielefeld, transcript, 2016, pp. 149-164

Commedia dell’Arte. Vecchie tradizioni – nuovi orizzonti?, Locarno, Armando Dadò editore, 2016

“Le théâtre en mouvement. La recherche sur le physical theatre passe par la Suisse italienne”, in Alain Clavien, Claude Hauser, François Vallotton (ed.), Théâtre et scènes politiques, Lausanne, Antipodes, 2014, pp. 201-210

Scenari più scelti d’istrioni. Italienisch-Deutsche Edition der einhundert Commedia all’improvviso – Szenarien aus der Sammlung Corsiniana, in collaboration with Stefan Hulfeld (ed.), Sebastian Hauck and Stefano Mengarelli, Göttingen, Vienna University Press bei V&R unipress, 2014, 2 voll.

“China According to Daniello Bartoli” / “La Chine selon Daniello Bartoli”, in Donatella Bernardi, Noémie Etienne (ed.), Eternal Tour 2009, Hauterive (Neuchâtel), Éditions Gilles Attinger, 2009

L’âne et le lion / L’asino e il leone, in collaboration with Dr. Shlomo, Piergiorgio Odifreddi, Nicolas Wagnières, Niels Wehrspann, Donatella Bernardi and Andrea Lapzeson (Chêne-Bourg, Médecine et Hygiène / Genève, Société des arts, 2008)

Schliessen

Shortlist of publications

Monographs
Gesa Ziemer. Komplizenschaft. Neue Perspektiven auf Kollektivität. Bielefeld 2013 (mit Film)

Gesa Ziemer. Verletzbare Orte. Entwurf einer praktischen Ästhetik. Zürich, Berlin 2008 (diphanes, inklusive Filmbeilage Augen blickeN).

Individual publications
Performing Urban Citizenship. Komplizenschaft als soziale Praxis von Kollektivbildung. In: Das soziale Band. Thomas Bedorf, Steffen Herrmann (Hrsg.), Frankfurt am Main 2016.
Neue Formen der Zusammenarbeit am Beispiel der Hamburger Planbude. In: Die Welt reparieren. Open Source und Selbermachen als postkapitalistische Praxis. Karin Werner, Andrea Baier, Tom Hansing, Christa Müller (Hrsg). Stadt gemeinsam entwickeln. Bielfeld 2016.
Konvivialistische Kunst? Über das freundschaftliche Zusammenleben im urbanen Raum. In: Frank Adloff, Volker M. Heins (Hg) Konvivialismus. Eine Debatte. Bielefeld 2015, 179-189.

Urbane Öffentlichkeiten zwischen Kunst und Nichtkunst. Kollektive Dynamiken im Lauf der Zeit – am Beispiel des Gängeviertels. In: Regula Valérie Burri, Kerstin Evert, Sibylle Peters, Esther Pilkington, Gesa Ziemer (Hrsg). Versammlung und Teilhabe. Urbane Öffentlichkeiten und performative Künste. Bielefeld 2014, 317-331. 

Fenster öffnen? Urbane Öffentlichkeiten zwischen Kunst und Nichtkunst. In: Ute Vorköper, Andrea Knobloch (Hg). Akademie einer anderen Stadt. Hamburg 2012, 239-259.

Komplizenschaft. Ein Modell kritischer Kuratorenschaft. In: Carolin Hochleichter, Stefan Kausch u.a. (Hg) Well Connected. Beiträge zum Kuratorischen. Leizpig 2012, 9-17.

Komplizenschaft. Eine kollektive Kunst- und Alltagspraxis. In: Rachel Mader (Hg). Kollektive Autorschaft in der Kunst. Alternatives Handeln und Denkmodell. Bern 2011, 123-138. 

Situational Worlds. Complicity as a Model of Collaboration. In: Sandra Noeth, Gariele Klein (Hg). Emerging Bodies. The Performance of Worldmaking in Dance and Choreography. Bielefeld 2011, 235-246. 

Zwischenfälle. Peinlichkeit und Imaginäres auf der Bühne. In: Jörg Huber, Gesa Ziemer, Simon Zumsteg (Hg): Archipele des Imaginären. Das Imaginäre als Provokation. Zürich, Wien, New York 2008, 225-234.

Verletzbare Körper. Eine ästhetische und ethische Kategorie. In: Christoph Menke, Sibylle van der Walt (Hg). Die Unversehrtheit des Körpers. Theorie und Geschichte eines elementaren Menschenrechts. FFM 2007, 166-186.

Schliessen