View Mobile version
We tend to take landscapes for granted. They make up the surface we walk upon. Art and science have both (re-)discovered them as a subject, finding new ways of developing societal contexts through spaces previously unmapped beyond their geography. We are also interested in the interaction between human and non-human actors, in investigating specific cultural landscapes (e.g., sacred regions), and in exploring how an art biennale might contribute to the development of a rural area.
explores Swiss culture politics and self-organisation in art since 1980
a research project on art biennales in rural areas
Nature and culture in the representation of circulatory practices and entanglement; a PhD project by Elisabeth Nold Schwartz
Imagining worlds and knowledge with/through artistic research; a conference by SARN
an interdisciplinary project on transformation processes in monasteries
Art and Tourism 2.0; Investigations of the globalisation of cultural landscapes
or the art of the creating an experience—an exhibition in the Kunstpanorama, Kunsthalle Luzern
a photophilmic examination of a changing understanding of «tourism» using trips to Chernobyl as an example
Monastic life in a building by Marcel Breier; a publication on the Sacred Landscapes of Central Switzerland Platform
Künstlerische Selbstorganisation in der Schweiz; Rachel Mader, Pablo Müller (eds.)
Panel discussions around the publication at: Last Tango Zürich, Stadtgalerie Bern and, to listen later, DOCK Kunstraum Basel (in German)
Documentary essay by Marina Belobrovaja about a trip to Chernobyl, 52 min. (2014)
Through my research, I fulfil my responsibility for the region and also reconnect with Central Switzerland.
I am interested in peripheral forms and structures of art in their interrelationships.
Lead of Major Art in Public Spheres at HSLU – Design, Film and Art
Here, I can conduct research guided by the topics.
I work in the Research Department and conduct research on media and art criticism practices around 1990.
I explore movement as a motif and motivation in the artistic process. For me, research is play, analysis, detours, intuition, clarity, rigour, tapping.
Artist and reasearcher
Art historian and curator
Artist
My artistic research practice is based on an autotheoretical approach.