Textile boundaries shape our bodily and spatial understanding of belonging and rejection. In this work I have collected seemingly harmless items signifying structural demarcation and then adopted them as a vocabulary. This involved repurposing set forms, structures and patterns in order to recombine contents. The aim of the work is to encourage an understanding of structured differentiation as designed and therefore transformable dividing lines and to use textile design as a source of resistance and connectiveness. The idea collection has been developed to be used for performative interactions, both publicly and on stage.
